Shutter Speak, Volume 2:
1. Scott Kelby
2. Lightroom 4
I got it. And that is about as much as I can say at this point. I think I need to carve out some time to just sit and play with it.
I also got the guide to go with it by Scott Kelby, and although I haven’t spent much time learning how to actually use the software itself, I can say that the acknowledgements at the beginning of Kelby’s guide definitely got my attention.
In every book I’ve ever read, the author begins the acknowledgements by thanking his or her editorial team and then somewhere toward the end throws up a thank-you to his or her spouse. Not Scott Kelby. Get a load of this:
“I start the acknowledgments for every book I’ve ever written the same way- by thanking my amazing wife, Kalebra. If you knew what an incredible woman she is, you’d totally understand why.
This is going to sound silly, but if we go grocery shopping together, and she sends me off to a different aisle to get milk, when I return with the milk and she sees me coming back down the aisle, she gives me the warmest, most wonderful smile. It’s not because she’s happy that I found the milk; I get that same smile every time I see her, and even if we’ve only been apart for 60 seconds. It’s a smile that says, “There’s the man I love.”
If you got that smile, dozens of times a day, for nearly 23 years of marriage, you’d feel like the luckiest guy in the world, and believe me-I do. To this day, just seeing her puts a song in my heart and makes it skip a beat. When you go through life like this, it makes you one incredibly happy and grateful guy, and I truly am.
So, thank you, my love. Thanks for your kindness, your hugs, your understanding, your advice, your patience, your generosity, and for being such a caring and compassionate mother and wife. I love you.”
Ummm… Isn’t that the most awesomest-acknowledgement-section-you’ve-ever-read??? I read that and immediately called my friend Meghan to tell her that we need to smile at our husbands more. Seriously. He’s been married for 23 years and the one thing he credits with making him the happiest man on the planet is that his wife smiles at him.
Ladies, are we paying attention??? This is so, so simple. And so, so huge.
3. Sarah, I thought you were going to talk about photography…???
Right. Yes. I am. You can blame Kelby for distracting my hopelessly romantic sensibilities. Back on track now.
4. UV Filter
One thing Scott Kelby is very good at is convincing me that I need to buy stuff. (I know, right? Did I really need any encouragement?) I didn’t realize that I should have a UV filter on my lens. Kelby says he primarily uses these to protect his glass from being broken or cracked, and that’s reason enough for me. They aren’t expensive at all and the B&H website makes it very easy to see which size will work with your particular lens.
5. Finding My Lens’ Sweet Spot
So did you know that every lens has a sharpness sweet spot? Guess who told me so? (I’ll give you a hint. Initials are SK.) Apparently, two full stops below the widest aperture on your lens will often give you the sharpest quality image (and of course, by “below” you know I actually mean a higher number, right? I think they made photography terms backwards just to confuse the whole lot of us…).
I’ve been playing with this and think that for my lens, it’s spot on. I use a 50 mm f/1.4, so my sweet spot is at an f/2.8. I’ve been surprised at how accurate this is. I had previously thought that I would want to shoot wide open at an f/1.4 since my lens is capable of it, but now I’m realizing that my pictures are much better if I stop down to f/2.8.
If you play around with this, remember that your camera can dial to a fractional stop (like an f/3.5), but to get your sharpest image you want to go two full stops from your widest aperture. These are full stops: f/1, f/1.4, f/2, f/2.8, f/4, f/5.6, f/8, f/11, f/16, f/22. So, for example, if you are using a lens that opens to f/4 (and you would know this because your lens is called an f/4), then your sweet spot is likely an f/8. Make sense?
|Ahhh, the benefits of being a fourth-born baby. You come into the world with your own in-house Entertainment Committee!|
6. Going Manual. Or not.
Every so often I get an email from someone who wants to know how long I used my dSLR before switching to Manual mode. I don’t use Manual mode, pretty much ever. I much prefer to shoot in Aperture Priority. I used to think I was cheating, but then I noticed lots of pros shoot primarily in Aperture Priority (Me Ra Koh and Scott Kelby, to name a couple who have admitted to doing so).
My main reason for shooting in Aperture Priority is that I get better results faster. I’m usually either taking pictures of kids or taking pictures while trying to manage kids. Four of them. Most of them wild and untamed. I like un-posed shots that are more photo-journalistic in style, so that means I’m trying to capture a moment that’s happening on its own. If I’m going to get the shot, I need to be quick. Shooting in Av is (much, much) quicker for me.
If I can’t get my camera to do what I want in Av, then (and only then) do I switch to Manual. But then it takes me some trial and error to get things just so, and by then I’ve often missed the shot I was going for (this is especially true where the baby is concerned. You just can’t tell a baby to hold that darling pouty-lip expression while you reset your shutter speed).
I’m not telling you this is a good thing. I don’t give photography advice, remember? I’m just telling you what I do. This is a busy season of life for me. Shooting in Av means I’ll get better shots on a regular basis, and it also means that I’ll make a habit of picking up my camera more often. The more I pick up my camera, the more practice I get. That’s a good thing. In photography, practice is everything.